'Immortals' Mondays: Relocating God Speed

"Immortals" is simply two days from striking theaters, but when we could relocate God Speed, we'd attend that November 11 release date a great deal faster. I am speaking about how quickly Zeus, Poseidon and also the other immortal forces of Olympus move against their adversaries, the Leaders, within the Tarsem Singh-directed epic. Besides the constantly shirtless Henry Cavill and also the forever gorgeous Freida Pinto, possibly the greatest draw of "Immortals" may be the glorious battles between your Gods and also the Leaders, probably the most breathtaking violence I have seen devoted to the screen, thanks largely towards the otherworldly pacing from the sequences. Have an early take a look at God Speed on your own in present day "Immortals" Mondays exclusive behind-the-moments featurette! "Immortals" hits theaters on November 11, 2011.

Bridges to "Succeed"

BridgesBeau Bridges has signed onto join the cast in the Broadway revival of "How you can achieve Business Without Really Trying," walking to the role John Larroquette exits in the start from the month of the month of january. Bridges will begin perfs inside the tuner Jan. 3 alongside Darren Criss, who'll start a three-week stint since the youthful corporate striver now carried out by Daniel Radcliffe. Criss is going to be transformed (beginning Jan. 24) by Nick Jonas, who'll star with Bridges until both bow out This summer time 1. "The best way to Succeed" reps Bridges' first gig in the musical on Broadway, when they have not came out since the 1974 play "Who's Who in Hell." Thesp may have corporate bigwig J.B. Biggley inside the 1961 satire, with tunes by Frank Loesser and book by Abe Burrows, Jack Weinstock and Willie Gilbert. Larroquette won a Tony for his stint as Biggley this year's spring. Revival opened up up in March to robust B.O., and spent the summer season consistently logging weekly sales more than $millions of per frame. "The best way to Succeed" is produced having a team introduced by Broadway Across America (John Gore, Thomas B. McGrath, Jesse Williams), Craig Zadan and Neil Meron. Larroquette and Radcliffe exit the show Jan. 1. Contact Gordon Cox at gordon.cox@variety.com

ABC Builds up Serta Fogelman Alien Comedy With Pilot Production Commitment

EXCLUSIVE: ABC has handed an plane pilot production persistence for a comedy spec by feature author Serta Fogelman (Crazy, Stupid, Love, Cars) The untitled project, initially developed at Warner Bros. TV, concentrates on an regular family who moves in to a condominium complex to uncover that everyone living there but choices are aliens. Helmer Chris Koch (Modern Family) is positioned to direct the pilot, that's executive produced by Fogelman, Koch and Aaron Kaplan of Kapital Entertainment. ABC Art galleries is creating the pilot, that's likely to train on a casting director shortly. That is ABC’s next then-cycle pilot order this season, with the Kirstie Alley-starring The Manzanis, also executive produced by Kaplan for ABC Art galleries. In addition, Kaplan is executive creating the midseason ABC/ABC Art galleries dramedy Good Christian Belles. Fogelman, repped by WME and manager Eryn Brown, has partners with ABC parent Disney Co. round the feature side. He co-written animated hits Cars, Cars 2 and Twisted. Koch is to apply UTA.

The Painful Dying of Hollywood's Producers: No Top Quality, No Calls Back

This informative article initially came out inside the November. 4 problem in the Hollywood Reporter. You aren't getting me to go over how awful the art galleries are!" states one veteran producer before beginning in to a tirade about the subject. "The art galleries just don't respect what producers do. They'd rather not need them around. ... Art galleries have a lot of professionals and waste a lot of money on that." States another producer who ranks among the Hollywood elite: "The greater the films get, the higher professionals feel they're creating them. For me you will discover more professionals being delivered to locations than previously. ... When the executive states 'my' movie, it drives you crazy, plus it's happening progressively more.Inch While using movie business dealing with a historic modifying as DVD revenue has shriveled and technology haven't created cash to think about its place, the issues facing the organization are blending the most effective rank of producers, including people who've generous handles art galleries -- on paper. It's trickle-up overall costs, and people who've extended been familiar with getting their voices respected have discovered that sometimes -- ouch -- their calls aren't even returned. Some believe that existence has changed forever inside the movie business, although some -- watching that art galleries are generating progressively homogeneous movies -- are wanting that eventually it's apparent that audiences crave various things which producers are the types while using experience and skill to develop and execute original, frequently even great, material. Evidence of pressure art galleries are imposing on large-title producers is everywhere. Jerry Bruckheimer just experienced what he known to to THR since the toughest settlement of his career with Disney to create The Lone Ranger using the Actor-kaira Pitt. Ron Howard and John Grazer of Imagine have observed their wealthy deal at Universal reduce as well as the studio close the lid on around the ambitious fantasy Western The Dark Tower, with various quantity of books by Stephen King. A-list producers Frank Marshall and Kathleen Kennedy just departed in the new the new sony after couple of years without any eco-friendly light. The's ultimate 800-pound gorilla, Steven Spielberg, has received struggles raising money. A couple of of the profession's best producers the art galleries are generating them feel, while you puts it, progressively "irrelevant." Together with a high executive at one studio values that oftentimes, there's a place. "If perhaps I really could inform you they're wrong or they're being babies," according to him. "But [their complaints] are legitimate. Plus it doesn't appear enjoy it's to the benefit of the film business. But art galleries tend to be associated with movies because the stakes are very high. You obtain pressure within the bosses to make certain you're manipulating the projects well- but which was formerly producer's job." Which's from the professional inside a studio that's considered relatively sincere. Its not all the first is. There seems being broad agreement among high-level producers that Fox has extended been most likely probably the most contentious with producers, prior to the overall costs increased being so challenging, largely due to a effective-arm culture created by studio chief Tom Rothman. Disney, with companies for instance Marvel and Pixar which is concentrate on the top quality entertainment, now makes handful of movies that belongs to them and scarcely seems to want producers. Vital and Universal also appear largely indifferent, apart from a clutch of stars like J.J. Abrams (who, particularly, can be a filmmaker themselves). The brand new the new sony and Warner Bros. -- because order -- have the finest marks. "Even when they're f--ing you, they're apologetic," states one prominent producer. "Fox, Vital, Universal -- it's simply: 'This is what we're doing. Sorry we did not remember tell you.' " States producer Laurence Mark (Julie & Julia): "The brand new the new sony's really the only studio that type of harks to that particular old studio days. Amy [Pascal] handles the big picture. She's very happy to make bold moves. They have great associations that pay back.Inch Particularly, The brand new the new sony helps make the Social Media and Moneyball with giant producer Scott Rudin -- films that other art galleries might have been unlikely to produce. (Really, one producer states he's heard professionals at other art galleries make snide comments concerning the new the new sony's decision to consider a risk on Moneyball.) However, many with ties for the studio say even Pascal has required to trim her sails in our atmosphere. "The art galleries trust a far more compact and much more compact volume of producers," states Marshall Herskovitz, leader emeritus in the Producers Guild of America. But he adds he got that memo way back when. "I don't have a very deal any more,Inch states Herskovitz. "Am I upset? Yes. But there's pointless in crying relating to this.In . Rather, according to him, he and much more have modified: "Every producer I realize has required to discover about independent financing. It may be these tectonic changes are finally striking people who thought they were invulnerable, but almost everybody has modified. Producers have moved into television and new media and searched for out various ways to purchase features because that's what producers do. They're coping." (One producer states he's, like a lot more, looked for options in television, but even that's difficult. "Out of the blue you're going from office to office, offering TV," according to him. "There's some a Willy Loman aspect in it.In .) "We could yell our heads off, but we with one another need to sit in changes available,In . states current guild co-leader Mark Gordon. "The earth is changing, and that we must change from it.In . Possibly nothing demonstrates more strongly the primary distinction between then now for producers in comparison to assume experience. Last decade, Universal was giving Howard and Grazer a hefty $17 million yearly in overhead additionally to costs of $2 million ahead of time against no less than five percent of gross (more if Howard was pointing). The partners even had two "put" pictures -- meaning they may pressure projects into Universal's pipeline -- though they never exercised that option. Their deal has since been trimmed to $8 million-together with annually, according to an informed source, however when it's the perfect time for renegotiation (it runs through 2013), they will definitely face further pressure. Related Subjects 1 2 next last

Asuncion

Jesse Eisenberg and Justin Bartha star in Asuncion. A Rattlestick Playwrights Theater presentation, by special arrangement using the Cherry Lane Theater, of the play in 2 functions by Jesse Eisenberg. Directed by Kip Fagan.Vinny - Justin Bartha Edgar - Jesse Eisenberg Stuart - Remy Auberjonois Asuncion - Camille ManaJesse Eisenberg has written themself a juicy acting role in "Asuncion" being an idealistic social reformer whose intellectual pretensions lead him to the precise complete opposite of Mark Zuckerberg, the frightening-awesome Facebook founder Eisenberg performed in "The Social Networking." Scribe throws this youthful jerk a neat theatrical curve when he introduces him and the smug roommate to some Filipina who challenges their patronizing presumptions about class and ethnic identity. But Eisenberg puts no further demands on his figures, departing them frozen inside a sitcom plot that goes nowhere. Helmer Kip Fagan feels safe using the louche vibe of downtown theater, which easy confidence shows itself within this production for Rattlestick. Although play is occur an upstate college town, John McDermott's slovenly student apartment and Jessica Pabst's casual-chic rags would your style in to the NYU-nation within the East Village. Eisenberg might possibly not have an idea about plotting, but he's a facile comic skill for drawing eccentric figures and putting them in unhealthy associations. He just does not know what to do next. Roommates Edgar (Eisenberg) and Vinny (Justin Bartha of "Hangover" fame) have among individuals lethal associations. Vinny is definitely an advanced graduate student in Black Studies who grossly over-identifies together with his academic thesis. Edgar is really a self-anointed reformer who romanticizes poverty and blindly occupies social causes they know nothing about. Bartha is sufficient funny giving Vinny as much as Pan African blues ecstasy while stoned. ("You have some African shit the following!Inch) Eisenberg includes a terrific moment when Edgar apologizes for that gang kids who beat him bloody and stole his wallet. ("They are oppressed by everything.") Both thesps locate fairly easily the safe place where their insecure figures draw strength using their sadomasochistic friendship. The amusing if creepy relationship between these mutually desperate roommates is tossed off-balance when Edgar's your government, Stuart (Remy Auberjonois, as overbearing as large siblings are wont to become), drops off his beautiful Filipina bride, Asuncion (a blithe spirit in Camille Mana's animated perf), and will take off on some undisclosed errand. Asuncion is flakier than phyllo dough, which leaves Vinny and Edgar liberated to model of her the things they will. Engaging in her groove, Vinny just really wants to enjoy her, while Edgar, that has been brought to think she's a mail-order bride, projects all his dimwitted social sights on her behalf. But nothing dramatic comes of the awkward threesome. Because Asuncion is really an airhead, she becomes the play's fatal flaw, too vacuous to be the proper catalyst and too shallow to keep happens by herself. Which leaves Edgar and Vinny stuck within their caricatured roles, making funny talk but saying nothing of consequence.Set, John McDermott costumes, Jessica Pabst lighting, Ben Stanton seem, Bart Fasbender production stage manager, Melissa Mae Gregus. Opened up March. 27, 2011. Examined March. 25. Running time: one hour, 40 MIN. Contact the range newsroom at news@variety.com

Jim Ladd, the muse for Tom Petty's 'The Last DJ,' Let Go From Radio Gig

Lay offs hit radio stations industry difficult on Wednesday as reviews emerged that Obvious Funnel was letting go 100s of employees in promising small to mid-sized marketplaces in support of "Premium Choice" content format-specific programming syndicated to stations on the regional and national basis (like On Air with Ryan Seacrest).our editor recommendsFormer Tribune Co. Boss Randy Michaels Charged With DUIHoward Stern Bids Goodbye to Radio Alma Mater WYSP With Half-Hour Telephone Call (Audio)Why Podcasts Are Comedy's Second Coming: Adam Carolla, Marc Maron and Greg Proops Weigh In (Q&A) And today comes word that Cumulus Media, new proprietors of Citadel Broadcasting's popular La stations KABC (talk) and KLOS (classic rock) have let as much as 27 people go, included in this: legendary disc jockey Jim Ladd, who's praised because the last freeform jock working within the U.S. called the subject of Tom Petty's 2002 song "The Final DJ," itself an indictment from the radio industry that was eventually banned by Obvious Funnel. STORY:Michele Norris Steps Lower From NPR Ladd started his radio career in 1969 at Lengthy Beach rock station KNAC. He spent a lot more than 14 years at KLOS, where his show broadcast from 10 p.m. to two a.m. Mondays through Thursdays, consistently leading in rankings because of its time slot. He launched a magazine, Radio Waves, in 1992. "My disappointment is I didn't possess a farewell show," Ladd told the Oc Register."I had been very stunned and that i still am. I've been through this before, but it's always distressing." His last song was Pink Floyd's "Shine You Crazy Gemstone." STORY:New Study Finds Top Ten Hits Centered by Synths, Lyrics About 'Hooking Up' In 2003, Petty described this is from the song "The Final DJ," from the album of the identical title, telling journalist Jim DeRogatis it's "in regards to a DJ who becomes so frustrated together with his lack of ability to experience what he wants he moves to Mexico and will get his freedom back." Based on radio tipsheet RAMP(Radio and Music Pros), Jack Silver has walked in as PD for KABC and KLOS, with Uncle Joe Benson overtaking the mid-day slot and Gary Moore growing to night time. Tom Petty and also the Heartbreakers are going to play two nights of great benefit shows in the Performance Theater at Cal Condition Northridgefor L.A. public radio station KCSN's fall pledge drive. Pay attention to Ladd's 1974 interview with John Lennon below and browse the lyrics toPetty's "The Final DJ" following the jump... Related Subjects 1 2 next last

VIDEO: Johnny Depp Promotes Rum Diary by Jamming with ZZ Top Frontman

While at the Austin Film Festival to pimp this week’s Hunter S. Thompson adaptation The Rum Diary, star Johnny Depp grabbed his guitar and took to the stage with Billy Gibbons of ZZ Top for a surprise rock show. Because that’s how you get the kids to come to your new period movie, folks! Viral marketing meets rock ‘n’ roll! Johnny Depp can do no wrong! Watch the video and stick around for more Buzz Break. [via Gossip Cop] H&M is set to release a Lisbeth Salander-inspired clothing line. Dress like an emotionally-damaged Swedish anorexic punk hacker this winter! [Moviefone via Badass Digest] There’s another bin Laden assassination thriller on the horizon, based on the team of Navy SEALs that brought the political fugitive down in Pakistan, and it’s being directed by… the guy who made Into the Blue. Sure, why not? [Variety] A coalition of Hollywood studios and distributors have filed the biggest copyright lawsuit ever in Russia, charging that Moscow couple Andrei and Natalia Lopukhov with $1.24 billion in damages from pirating films like Resident Evil: Extinction and Shrek the Third. [THR] Beverly Hills Cop IV is dead. But Axel Foley may live on in television! [Rolling Stone] The best imagined explanation of that Kirk Cameron Subway sandwich birthday party picture floating around the web. [FilmDrunk]

Facebook's Mark Zuckerberg Tops Fortune's 40 Under 40 List

NY - Facebook CEO Mark Zuckerberg, 27, took the top spot in Fortune's second annual 40 Under 40 list of the hottest young stars in business ahead of Google CEO Larry Page, the Time Warner publication said Thursday.our editor recommends Rupert Murdoch 'Very Humbled' as He Apologizes Personally to the Family of Murdered Schoolgirl Milly Dowler Rupert Murdoch, James Murdoch To Face Questioning Under Oath In Phone-Hacking Judicial Inquiry Other tech stars on the list include Jack Dorsey, co-founder and executive chairman of Twitter, who made the eighth spot, Google co-founder Sergey Brin in the 11th spot. Big entertainment industry names on the list include 13th-ranked Ryan Seacrest, 36, who is immediately followed by Univision Networks head Cesar Conde, 37, and 16th-ranked Kevin Feige, head of Marvel Studios. CBS News president David Rhodes (ranked 17th), Spotify founder Daniel Ek (18), Relativity Media boss Ryan Kavanaugh (22) and CNN's Erin Burnett (33) also made the list. However, News Corp. deputy COO James Murdoch, who came in eighth last year when tech pioneer and investor Marc Andreessen topped the list ahead of Zuckerberg, dropped off the list. Asked by Fortune about the business term he hates the most, Rhodes said: "Worst overused business term: facilitate. Who grew up saying, 'Mom, when I grow up I want to facilitate.' How about instead 'I'd like to report, disclose, reveal'?" Email: Georg.Szalai@thr.com Twitter: @georgszalai Related Topics Google Mark Zuckerberg Facebook Ryan Kavanaugh James Murdoch Erin Burnett

Ratings Pit Of Debt: CBS Wins But Blue Bloods Drops

Another Friday with mostly minor changes from the tenth from the 18-49 rating. CBS’ 10 PM drama Blue Bloods (1.7/5 in grownups 18-49, 10.9 million audiences) released the finest drop from the other day, .2 in 18-49. It absolutely was still the finest rated and several seen program in the evening, tied in 18-49 with another CBS drama, veteran CSI: NY (1.7/5, 10. million). The Next CBS drama in the evening, rookie A Gifted Guy (1.3/5, 7.8 million) was up a tenth inside the demo after being stuck inside a 1.2 returning a couple of days. CBS (1.6/5, 9.6) once again won the evening in 18-49. Fox’s Kitchen Bad dreams or nightmares (1.4/5, 3.6 000 0000) was lower a tenth from the other day’s fast national 18-49 rating (2 tenths within the final). Fringe (1.2/4, 3.millions of) was lower a tenth.Fox (1.3/4, 3.7 million) finished second for your evening in 18-49, tied with Univision. Pretty encouraging sampling for your premiere 2 cases of ABC’s Last Guy Standing, which came single.3/5, 4.9 million together with single.4, 4.9 million from 8-9 PM, while using second episode tied Kitchen Bad dreams or nightmares since the third finest-rated program in the evening in 18-49. The Ultimate Guy Standing rerun also attracted bigger audiences than any non-CBS program last evening. Just like a commenter smartly mentioned, this bodes well for ABC topper’s Paul Lee’s idea to produce back ABC’s TGIF Friday family comedy block. Undertaking a contemporary Family (1.3/4, 3.7 million) repeat, which did perfectly, together with a Suburgatory (1.1/3, 3.millions of) rerun, ABC broadcast 20/20 (1.2/4, 4.7 million), up an tenth inside the demo from the other day. Also up a tenth was NBC’s Dateline (1.5/5)

'Footloose' kicks it up at B.O.

'Footloose' is expected to take the No. 1 at the box office this weekend, grossing north of $15 million."Footloose" is expected to take the No. 1 spot at the domestic B.O., based on early Friday figures. Box office observers expect the pic to bow with grosses north of $15 million. Pic has taken in nearly $1 million as of this afternoon. "Real Steel" is looking to drop less than 45%, and observers expect the pic to pull in somewhere between $12 million and $14 million. That would put it neck-and-neck with "The Thing," which is shaping up with a debut of just north of $13 million based on Friday afternoon grosses. It's tallied about $475,000 as of mid-Friday afternoon. "Ides of March" is likely to be down about 35% to gross somewhere in the $7.5 million ballpark. "Dolphin Tale" is holding over strong in its fourth frame, with B.O. watchers putting the film's take in the $6 million range. Fox's "The Big Year," however, is looking to perform more modestly with $3 million to $5 million.

'Avatar' and 'The Dark Knight' Among the Most Pirated Movies Ever

Imagine how much money "greedy motherf--ker" James Cameron could have made on 'Avatar' if it wasn't stolen by dastardly Internet pirates. According to a report from the website TorrentFreak, 'Avatar' -- the highest grossing movie ever -- is the most pirated movie of all time. The film -- which, as THR notes, was touted by the director as being the best hope against piracy because of 3D -- has been illegally downloaded 21 million times, two million more than runner-ups 'The Dark Knight' and 'Transformers.' All three films grossed over $700 million worldwide, but their DVD revenues could have been hurt by the illegal downloads. Elsewhere on the list, blockbusters like 'Inception,' 'The Hangover,' 'Star Trek' and 'Pirates of the Caribbean: At World's End.' The most surprising entries? 'Kick-Ass' -- which is the only film among the ten to not gross $100 million at the box office -- and the critically derided 'The Incredible Hulk' with Edward Norton. Head over to TorrentFreak for the full list. [TorrentFreak via THR] [Photo: Everett Collection] RELATED: 'Avatar' and Other Movie Theme Park Rides 6 Other Movie-Based Theme Park Rides In honor of 'Avatar' becoming a ride, six other films that have gotten the theme park treatment. Back to the FutureStar TrekIndiana JonesHostelHarry PotterStar Tours (Star Wars) See All Moviefone Galleries » Follow Moviefone on Twitter Like Moviefone on Facebook RELATED

Nancy Shevell's Wedding Gown Created by Paul McCartney's Daughter Stella McCartney

Getty Images When Louise Mills married Paul McCartney in 2002, his daughter Stella McCartney -- who apparently loathed her step mother-to-be -- wouldn't even talk to her. Mill's dress -- reputed to become her design -- is made by Caroline Eavis and Annie Brown, who later accused her of not providing them with enough publicity for that free gown.our editor recommendsSir Paul McCartney Marries Nancy Shevell in LondonWill Paul McCartney's Bride Marry in Stella McCartney's Dress? But Stella McCartney must like her father's new love because she designed Nancy Shevell's wedding gown a vintage sleek whitened lengthy sleeved frock with whitened (vegan) open foot heels. The pair tied the knot Sunday (March 9) at Old Marylebone Hall working in london, where McCartney get married his first wife, Linda McCartney, in 1969. McCartney's creating daughter Stella also made his deep blue suit. Along with a smiling Shevell, 51, and McCartney, 69, were seen smiling right in front row at her Spring 2012 fashion show in Paris a week ago. McCartney's youngest daughter Beatrice McCartney, 7 - from his second marriage to Mills - was their flower girl. It's most likely reliable advice that Stella McCartney made her dress too. Or did Louise make that costume call? We might don't know. Visitors in the intimate ceremony also incorporated fellow Beatle Ringo Starr and wife, Barbara Bach Olivia Harrison, widow of George Harrison and Barbra Walters, who's Shevell's cousin and behaved like a matchmaker for that couple. Wait, no Yoko Ono? BTW, Shevell was previous married to attorney and something-time NY Senate candidate Bruce Blakeman. From the lawyer to some Beatle. That's what we should known as getting married to up. In place. Exactly what do you think about Nancy Shevell's dress? Inform us within the comments! Paul McCartney Stella McCartney Louise Mills

The End is Near For The Simpsons (Or Is It?), and Other Stories You'll Be Talking About Today

Happy Wednesday! Also in today’s edition of The Broadsheet: The Academy finally gets some movie museum space… The Coens have their eye on TV… Paul Feig backs out of his next… Another 50 Cent movie, thank God… and more. · Copious cultural hand-wringing followed the news Tuesday that The Simpsons may be at the end of the line; a contract dispute between its cast and Fox — which reportedly wants to cut voice-talent costs by 45 percent — threatens to kill the series following its current, 23rd season. (23rd!) The numbers are all seven figures and ridiculous to argue over in any case, but the bigger issue is: Would you miss it? Because there are compelling cases — both economic and artistic — to be made for pulling the plug. I’d let it die, but I also haven’t watched it in something like two decades, so hey. [The Daily Beast, Deadline] · The Academy of Motion Picture Arts and Sciences and L.A. County Museum of Art are partnering on what would be the Academy’s long-gestating dream: A movie museum for Hollywood. Well, not quite Hollywood, at least not anymore: The newly located project, at the corner of Wilshire and Fairfax, still faces significant fundraising hurdles, a chunk of which can likely be cleared by selling off a Vine Street tract initially intended for the museum. It went for $50 million before the crash, which is like, what, $10,000 and a couple cans of paint today? [LAT] · The Coen Brothers are reportedly planning a television series with Cedar Rapids scribe Phil Johnston. The show, currently titled HarveKarbo, would track the title character, “an ill-tempered L.A. private investigator whose cases frequently involve the depraved doings of the Hollywood elite — and his deadbeat friends in Los Angeles’ El Segundo.” So basically the detectives from Barton Fink get to hang out with The Dude. Or wait, they died. Anyway, something like that. [Deadline] · Paul Feig is out as director of Bridget Jones 3. Cue more febrile Bridesmaids sequel speculation. [Deadline] · Curtis “50 Cent” Jackson will appear in and co-produce The Pursuit, about a cop and criminal who pair up to nab the man who killed both of their partners. Hopefully this does much better things for 50’s love life than Set Up accomplished. [THR] · New Jersey governor Chris Christie really really isn’t running for president. And leave him alone for not running on the treadmill as well, all right? [The Atlantic Wire] · Hank Williams Jr. apologized for his absurd statements Monday comparing President Obama to Hitler: “I have always been very passionate about Politics and Sports and this time it got the Best or Worst of me. The thought of the Leaders of both Parties Jukin and High Fiven on a Golf course, while so many Families are Struggling to get by simply made me Boil over and make a Dumb statement and I am very Sorry if it Offended anyone. I would like to Thank all my supporters. This was Not written by some Publicist.” You’re kidding. [HankJr.com]

Facebook's Private Market Price Has Fallen 8% Since This summer

NEW You are able to - After a long run-up, Facebook's private market price has rejected lately among economic concerns which have pulled lower stock marketplaces, the Wall Street Journal reported Wednesday. Shares within the privately owned social networking, brought by Boss Mark Zuckerberg, can be found to wealthy traders and institutions on secondary areas where former employees sell them. During the period of the very first quarter of the season, Facebook's private share of the market cost rose 70 % to $34 before striking around $35, the Journal stated, stating data from buying and selling platform SharesPost. However, Facebook's cost has fallen 8 percent since This summer to $32.10 within an auction held a week ago, pricing the whole company around $77 billion, based on the paper. Facebook continues to be likely to go public the coming year with what the Journal stated sometimes appears among the biggest U.S. initial public choices ever. where can buy shares offered mostly by former employees. Jim Friedland, Internet analyst at Cowen & Co., told the Journal that Facebook and Google are available to struggling with a possible downturn in advertising just in case of the restored recession. But he along with other experts say there's been little manifestation of a downturn in Facebook's longer-term growth trajectory, the Journal stated. Still, some have decreased their forecasts for Facebook's 2011 advertising revenue. Research firm eMarketer has cut its estimate by 6.1 % from the beginning of the season to $3.8 billion, the paper stated. Email: Georg.Szalai@thr.com Twitter: @georgszalai Related Subjects Mark Zuckerberg Facebook

'Steel' heartstrings

Sugar Ray Leonard and Dakota Goyo show their stuff.Actor Hugh Jackman and Evangeline Lilly arrive at the "Real Steel" Los Angeles premiere at Gibson Amphitheatre.Shawn Levy Stacey Snider and Rich Ross Scribe John Gatins celebrates with exec producer Jack Rapke. Give Shawn Levy the story of a gritty, down-on-his luck boxer, an 11-year-old son he doesn't want and dozens of frighteningly destructive killing machines and what do you get?A cynicism-free heartstring-tugger of a family film."You know what? Someone asked me, 'Is this like an Amblin movie?'" Levy said at Sunday's preem of "Real Steel." "And I said, 'If by "Amblin" you mean pre-cynicism, pre-irony, then hell yeah.'"There certainly is Spielbergian DNA running through "Real Steel," as the man himself is an executive producer of the DreamWorks film that opens Friday. Judging by the reactions of the dozens of kids streaming from the Gibson Amphitheater to the after-party out back -- shadowboxing and marvelling at the life-sized mockups of the pic's fighting bots -- there's still some magic left in moviemaking minus misanthropy."That's why I did it," said the pic's Evangeline Lilly. "Because I read the script and for the first time ever, it was pure. It was beautiful. And I had someone tell me before I took the job, 'Why would you take that script? It's hokey.' And I said, 'I like hokey.'" Contact the Variety newsroom at news@variety.com

We Can Not Go Back Home Again: Film Review

NEW You are able to - An anti-mainstream final work from Hollywood renegade Nicholas Ray, the excavated feature We Are Able To't Go Back Home Again is definitely an artifact which will interest students from the '70s avant-garde and hardcore Ray fans but puzzle almost everybody else. Sincere notice around the fest circuit and airings on Turner Classic Movies usually supplies a modest PR boost for eventual DVD/digital release.our editor recommendsNicholas Ray: Digital rebel Having a CameraThe Venice Film Festival to Recognition Nicholas RayNicholas Ray retrospective starts This summer 24Oscilloscope release a Nicholas Ray's Last Film 'We Can't Go Back Home Again' Although it is marketed like a film through the director of Digital rebel With No Cause and Johnny Guitar, onscreen credits the film is "by us" -- and also the claim of collective authorship fits a piece whose narrative, such because it is, is thin and scattered enough to possess been sewn together from bull periods and publish-'60s political positions. The film emerges from interplay between your wizened, fight-damaged Ray and the 1971 class at NY's Binghamton College. Early moments make a confrontational meeting between your two, and subsequent material, zigzagging between scripted dialogues and self-conscious behind-the-moments footage, focuses largely around the curiosity each feels for that other. Most of the youthful filmmakers are, not surprisingly, pretty poor stars, plus some recruits (just like a journalist roped into serving as a shoot's soundman) display similarly low aptitude for that technical finish of things. Audiences wishing to suss out an overarching story is going to be disappointed, finding rather a type of fictionalized self-portrait of figures looking for meaning throughout among America's most confused eras. More interesting, though equally time-capule-ant, would be the movie's stylistic affectations, most of which endure much better than others. Individual moments frequently alternate between conventional shots while some which have been heavily altered using primitive video effects at other moments, sloppy noodling on keyboards creates a proto-electronica soundtrack. Most significant may be the picture's multi-screen format, by which static photographs function as a cryptic frame around a black central area where moments overlap one another aimlessly, frequently pairing staged footage with documentary or stock images of political protest. This kitchen-sink experimentation may befuddle most audiences, however it will probably enable them to sustain curiosity about a story that will otherwise lose them inside a half-hour. Venue: NY Film Festival (Oscilloscope) Production Company: Nicholas Ray Foundation Cast: Nicholas Ray, Richie Bock, Tom Farrell, Jill Ganon, Jane Heymann, Leslie Wynne Levinson Director-producer: Nichola Ray Screenwriters: Nicholas Ray, Susan Ray Principal Crew: Steve Anker, Richard Bock, Peer Bode, Charlie Bornstein, Doug Cohen, Danny Fisher, Stanley Liu, Luke Oberle, Helene Kaplan Wright No rating, 95 minutes Nicholas Ray